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Topic: Movies We've Seen Recently  (Read 692920 times)

moooo566 (taylor's version)

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Movies We've Seen Recently #795
My Neighbour Totoro (1988): who did the sandal belong to? Someone else's four year old is at the bottom of that pond.

Dr. Buttplug

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Movies We've Seen Recently #796
28 Years Later is the best of the trilogy, or will be quadrilogy. I watched the other 2 in pretty quick succession before this one came out, for the first time. The story isn't related to the previous 2 in any meaningful way. Its the same world, Terf Island is permafucked and any notion of waiting for the infected to die out is gone. Danny Boyle's sense of style and eye for character actors is the only other through line. There are some beautiful shots, and they romanticize the macabre in such a way, well, that tower of skulls is a perfect poster image.

Turtle

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Movies We've Seen Recently #797
Honeymoon in Vegas (1992)
Director: Andrew Begman
Starring: James Caan, Nicolas Cage, Sarah Jessica Parker
Jack Singer (Cage) has made a promise to his dying mother that he will never marry, to the chagrin of his now long time girlfriend Betsy Nolan (Parker). After nearly a decade without commitment, she issues an ultimatum and he capitulates - they'll go to Las Vegas and get hitched. Unfortunately, at the same time, high-rolling big name gambler Tommy Korman (James Caan) is checking into the same Elvis-infested hotel and as fate would have it, the wife-to-be is the spitting image of his now deceased wife. He hatches a scheme put Singer into debt and makes him a generous offer - he'll erase the debt if he can spend just one weekend with his fiance. This is our premise and it takes an excruciating half hour to get this far - this is a romantic comedy, by the way. From this point the movie is, surprisingly, pretty fine. Tommy uses money, lies, and manipulation to buy the love of Betsy, who is either dense as rocks or, generously, very gullible. Jack chases them across the world, from Vegas to Hawaii to New Mexico to Vegas again in order to speak with his fiance and win back her love. I'm not a romcom connoisseur, I can't tell you what makes a *good* romcom, but I know enough to know what makes a *bad* romcom and this movie makes it over that hurdle. With the glaring exception of...

***Amos & Andrew presents Racism Corner***
Featuring: Peter Boyle! as Chief Orman
Peter Boyle cameos as a not-quite brownface native hawaiian named Chief Orman. He exists to waste Jack Singer's time and the joke is that he's blasted and incoherent. It's bad!

National Treasure (2004)
Director: Jon Tuteltaub
Starring: Nicolas Cage, Diane Kruger, Justin Bartha
Benjamin Franklin Gates (Cage) is ... who gives a shit, ya'll know what this movie is. It's a silly romp, got a bit of action, a bit of heist, a bit of indiana jones. Sean Bean is here. The only thing I really want to say about this movie is that the snarky nerd sidekick is written awfully. He isn't needed in this movie, he provides no narrative value, no emotional value, and as a comedy relief character he's just annoying. Stop putting this character in movies, it's always bad. Moving on.

The Trust (2016)
Director: Alex Brewer, Benjamin Brewer
Starring: Nicolas Cage, Elijah Wood, Sky Ferreria
Stone (Cage) and Waters (Wood) are Evidence officers in the Las Vegas Police. When Stone stumbles on a suspicious $200k bail bond, paid in cash, for a low level drug dealer, he starts pulling on the threads, roping in Waters, and uncovers a vault hidden in a run-down part of the city, what appears to be an unguarded heist waiting to happen. It's tight, focused, well directed, and tense. It's not amazing, but it's a solid heist flick from a pair of fresh writer-directors. I was optimistic when I saw Elijah Wood's name and I wasn't let down. A solid B, maybe B-. You don't need to go out of your way for it but if you've got the time, if you're interested in a quick heist flick, it won't steer you wrong.

Birdy (1984)
Director: Alan Parker
Starring: Matthew Modine, Nicolas Cage, John Harkins
Al Columbato (Cage) returns from the Vietnam War after taking an explosion to the face. As part of his recovery he's tasked with helping a hometown friend, Birdy (Modine) who has undergone a major mental break during the war. This acts as a narrative structure for flashbacks to their friendship in Philadelphia as poor high school students. Columbato is the son of italian immigrants, his father a garbage man, but himself the picture of a young, attractive man - popular with girls, good at sports, always looking to turn a scheme into a buck. Birdy, on the other hand, is a loner and a bit of a weirdo. The son of the high school's janitor, he gets his name from his obsession with birds, with being a bird, which escalates over the film and serves as the thematic and emotional core. There are some fantastic artistic sequences around this. Matthew Modine's performance is great and you really empathize with his character, but I don't know that I'd watch this again.

We're still only a few years into Cage's on-screen career here and they're still casting him as Young Hunk, albeit for half of the movie. Looking at the list of movies, that changes not long after.
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Turtle

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Movies We've Seen Recently #798
Bangkok Dangerous (2008)
Director: Danny Pang, Oxide Chun Pang
Starring: Nicolas Cage, Charlie Yeung, Shahkrit Yamnarm
Joe (Cage) is an international assassin. He's a ghost, he arrives, does the job, and disappears. He has four rules: There's no such thing as right and wrong, there's no such thing as trust, leave nothing behind, know when to get out - we know these rules because the voice-over exposition tells us them in the first few minutes of the movie. It's an atrocious film device, but it at least sets an early standard of what to expect from this movie in tone and execution. And to be a little fair, the first 15 or so minutes of the movie aren't too bad, it does a good job of establishing place, character, motive, all that. It falls apart shortly after. The action ranges from pointless to fine. There's maybe one good setpiece. It's just not a good movie. There's a kind of martial arts movie where the plot is thin and predictable but you don't care because that's not the point, the point is doing cool kicks. This movie feels like it thinks its one of those, but it isn't.

Dog Eat Dog (2016)
Director: Paul Schrader
Starring: Nicolas Cage, Willem Dafoe, Christopher Matthew Cook
Troy (Cage) just got out of prison and has reconnected with his partners Diesel (Cook) and Mad Dog (Dafoe). Troy is smooth, clean, collected. Diesel is a large, rough enforcer. Mad Dog (Dafoe) is named Mad Dog. Their decades in the slammer have not rehabilitated them - as soon as Troy gets out they get to work on the same crimes that got them put in. Troy is put onto a big job - a million dollars to kidnap the baby of a local mafia boss. It should be an easy job; it does not go to plan. Much of the movie is about the fallout after this job goes poorly, but really plot is not the focus of this movie. It's 80% character work and 20% theme. I like Cage in this movie but Willem Dafoe steals the fucking show, he is amazing in this, I can't emphasize it enough. Top to bottom it's a bit of a mess, it doesn't fully come together, it isn't particularly interested in doing so. This movie comes directly after Paul Shrader's last movie, The Dying of the Light was mangled by the studio and this movie feels like an artistic backlash. You've never heard of this movie and you may never hear of it again but you absolutely must watch it.

The Boy In Blue (1986)
Director: Charles Jarott
Starring: Nicolas Cage, Cynthia Dale, Christopher Plummer
This is a biography of Ned Hanlan (Cage), a famous late 19th century Canadian rower. The greatest one, supposedly! It is deeply uninteresting and to the extent that there is a narrative and romantic through-line, it's very predictable. To the extent that it's a biography, it's very fictional. However - I've watched Chariots of Fire in my life, so I know that this movie could be worse. There are jokes in this movie. It has moments of levity that don't make the movie engaging or good but pulled me through it. There is a lot of shirtless muscular Cage in this movie. There are, after all, two separate training montages. You don't need to watch this one. Sorry Canada.

Wicker Man (2006)
Director: Neil LaBute
Starring: Nicolas Cage, Ellen Burstyn, Leelee Sobieski
Edward Malus (Cage) is a cop. Years ago, his fiancee left him just prior to their wedding and disappeared from his life. Now she has sent him a letter: Her daughter is missing, she needs his help. Come to this secluded private island where I live. He goes, and wouldn't you know it, it's full of nature lovers who don't seem to like cops! This movie's got a bad reputation and I've always considered it poorly earned - movies are more than scenes extracted into memes. There are better versions of this movie, both before and since - you should watch Midsommar instead - but I've watched this movie before and I'll probably watch it again, it's not bad. It's kind of fun to see Cage stomping around the island through the movie like his authority means anything at all.
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Turtle

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Movies We've Seen Recently #799
Moonstruck (1987)
Director: Norman Jewison
Starring: Cher, Nicolas Cage, Olympia Dukakis
This was an extremely fun movie! Loretta Castorini (Cher) lives in a family home in Little Italy with her parents Rose (Dukakis) and Cosmo (Vincent Gardenia). She's a middle-aged widow who has given up on marrying for love and is settling for a marriage of companionship to Jonny Cammereri (Danny Aiello). He's a bit of a goofus, but a nice guy. Before the marriage, he has to travel home to the Old Country to be with his dying mother. In the meantime, he requests that Loretta invite his estranged brother Ronny (Cage) to their wedding so they can make amends. Ronny works the ovens at a local bakery after an accident in which his hand was maimed and he has not taken to that life change well. He is, naturally, the love interest, but we'll not be getting into that. The main romance isn't very believable or fleshed out but the movie gets away with it by spending its time elsewhere, on other relationships. Loretta's father is cheating on her mother with a much younger woman. We spend time with them. Her mother suspects it - we spend time with her as she grapples with how to feel about it, as she goes to dinner alone knowing her husband is out on the town with another woman. We get small peeks into the life of some family friends who run the neighborhood grocery. We spend time with Feodor, Loretta's grandfather, who spends most of his time taking care of a swarm of dogs. The romance itself isn't a focus so much as it is another view of what companionship can look like. All that being said - the reason we're here is Olympia Dukakis, the mother. She is hysterical. She is the best part of this movie by far, absolutely carries the movie on her back from the first scene she's in. Cage is fine here. He's got a big flamboyant speech early on that he nails in typical exaggerated Cage fashion but the role doesn't ask for much. He's brooding and greasy and becomes affable and greasy, it works. I recommend this one, it's a good time.

Windtalkers (2002)
Director: John Woo
Starring: Nicolas Cage, Adam Beach, Peter Stormare
It's 1941. Joe Enders (Cage) fakes his way out of rehabilitation to rejoin the war effort on the Pacific Front. He is assigned an important task; the military is deploying new radio men on the next mission, two Navajo code talkers. His mission is to escort Private Yahzee (Beach) to ensure his safety or, failing that, kill him to ensure the code's. Enders, already in an unhealthy mental state, reacts to these orders by maintaining an emotional distance. Mirroring these two are Henderson (Christian Slater) and Whitehorse (Roger Willie) who have a much more positive relationship; these two relationships are the intended focus of the movie, and that's also where it falls apart. Woo was famously upset at the script rewrites the pulled the movie away from this direction and more toward a typical war film. There's a lot to like about Windtalkers but it is often in the imagining of what it wants to be, rather than what it actually is. You can see on screen where the movie is compromised by the year it was released. It is a WWII film that feels like a Vietnam war film with the explicit statement that the enemies of today could be the allies of tomorrow, that you should treat each other as humans. This was a pretty difficult message to put on American screens in 2002 - it was intended for November 2001. Overall, I think the movie works despite its flaws, I think a critical viewer will see the characters shine through the explosions and appreciate what it's trying to say in the historical context of the moment. I think the performances are strong across the board and if this movie had come out at any other time in American history it would have made a much stronger impact.

Jiu Jitsu (2020)
Director: Dimitri Logothetis
Starring: Alain Moussi, Nicolas Cage, Raymond Pinharry
For thousands of years, the Warrior of Death has come to a remote island on Earth to seek battle, to hone its skills in honorable combat. Every 6 years this desire must be met lest it sate its battle-lust on the world at large. Shortly after fleeing one such battle, we open with our protagonist, Jake (Moussi) having suffered a rock-based amnesia, quite convenient for meting out the mystery of this dogshit plot. The US military is here under false pretenses, there's a mysterious taskforce of martial artists who have taken it upon themselves to combat the invading alien. Nicolas Cage is here, he's one of them, here to collect 1/5th of the movie's budget for a few days work. Tony Jaa is here, he's one of them too, presumably another large chunk of the movie's budget. The alien, Brax, is The Predator but if The Predator was on screen like, all the time, and instead of a wild rubber alien suit with dreadlocks and big mandibles it was a guy in a cheap outfit they'd have a sentai goon wear. Moussi is the lead actor from the Kickboxer reboots, Brax is a stuntman in a suit - there aren't actors in this movie, it's all just directly casting stunt artists. You'd think, then, that at least the fights would be good, that the choreography would be interesting. It's not - even Tony Jaa's sequences are shot and especially cut poorly. Like, you're supposed to edit the part where they take care to not hurt each other. The most notable action sequence is early on when they go Hardcore Henry for a few minutes with first person punching and kicking. This movie is like if you took the Mortal Kombat movies and threw the Predator in there as the antagonist, except that might be better. This was, at time of screening, the worst movie I had watched this year. I can't imagine a world where it's not at the bottom of the Cage List.

Outcast (2014)
Director: Nick Powell
Starring: Nicolas Cage, Hayden Christensen, Alexandre Bailly*
It is the 13th century. After decades of conquest, the king of China, dying, names as heir to the throne his youngest son, the book-learned Zhao (Bill Si Jiahang) rather than his older son Shing (Andy On), the warrior, to oversee an era of peace. A power struggle ensues and Zhao must flee with his sister, Lian (Yifei Liu). In a moment of crisis, they are saved by Jacob (Christensen), a mysterious foreigner. He takes up job of escorting them to the city of the country's generals, where the young boy will undergo the ceremony to become the new king, fleeing the pursuit of his power hungry older brother. It's not a complicated story and it becomes even less complicated as the movie runs out of screentime. Jacob and Gallain (Cage) have journeyed to the East to flee the sins of the Crusades, to drown themselves in opium and alcohol, suppressing the ghosts that haunt them - "The blood we spill here is on our blades, our souls, not God's". But maybe, perhaps, in the innocence of a child, god may etc etc, we get it, right? So the movie's not good. But my standards are really low right now. Hayden Christensen is stiff and uninterested, forgiven only by the fact that his character spends 95% of the movie either blitzed out, in withdrawal, and / or stabbed. Cage, as the older mentor figure who finds himself as a Mountain-living drunken outlaw, is some sort of Scottish but drifts his way in and around Pirate. You don't need to watch this movie. HOWEVER - The action scenes are competent. The set design, the costumes, the lighting - the production is good, it looks like a movie. Jiu Jitsu looked like a show I might see at 3am on the Sci-Fi network. This is, at the very least, a movie. It's not terrible.

* Hey IMDB, Alexandre Bailly, not pictured, is credited as "Crusader A" and yet given third billing on your website. Are you that unwilling to list the primary Chinese cast? You did this with Tony Jaa in the last movie - Raymond Pinharry is listed as "Fisherman". I get that this is probably autogenerated or something but you should be doing better than this, these are notable actors. Yifei Liu went on to be Disney's fucking Mulan, put her name on your website.
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« Last Edit: September 03, 2025, 01:09:33 pm by Turtle »

Turtle

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Movies We've Seen Recently #800
The Runner (2015)
Director: Austin Stark
Starring: Nicolas Cage. Sarah Paulson, Peter Fonda
Set in the fallout of the Deepwater Horizon oil spill, Colin Pryce (Cage) is a fictional Louisiana Congressman taking the disaster seriously, using his power to assist recovery efforts environmental and economic, and targeting the oil industry responsible. This elevates his political career, putting him in a position for a Senatorial run before it all comes tumbling down when it is revealed that he has been cheating on his wife (Paulson). There are a few threads going on here, one of Pryce's downfall and decline into the alcholism he had previously overcome and that is killing his father (Fonda), one of idealism, as he continues to use his money and influence to aid in fishermen recovery  efforts, but mostly one of corruption, how money, the media, and "compromise" pressure even idealists into working for the powerful. Personally speaking, I think if you're going to make a story about political corruption in the wake of a real life environmental disaster you shouldn't half-ass it with fiction. It is a deeply mediocre movie in message, in execution, in character - with one exception. Nicolas Cage brings his A game to this role. It's a subdued performance we don't often get and it kind of sneaks up on you - halfway into the movie you're distracted trying to figure out if the movie has an actual leash on its political stance, you look away and Nic Cage is deep in a desperate emotional decline. You don't need to watch this movie, you'll never hear about this movie from anyone ever again, but it was a neat little treat.

Face/Off (1997)
Director: John Woo
Starring: John Travolta, Nicolas Cage, Joan Allen
Sean Archer (Travolta) is the head of an anti-terrorism task force with a personal stake in his pursuit of Castor Troy (Cage) after Troy killed Archer's son in the process of an attempted assassination. Just after his moment of victory in capturing Castor and his brother Pollux (Alessandro Nivola) it is discovered that Pollux has left a bomb somewhere in the city, a bio-weapon large enough to level a city block. Only Sean Archer, with his expertise in the behaviors and history of Castor Troy can prevent this disaster - with cutting edge surgical technology he will don the case of his enemy, contact Pollux in prison, and find out where the bomb is set to explode. In his absence, though, the comatose Castor awakes...

This movie is so good. This movie is so good. A bombastic ride with a ridiculous premise that lends itself to both tense dramatic moments as well as hilarious self-parody. Cage and Travolta are perfectly cast, their eccentricities heightened as they act as someone else acting as themselves. The supporting cast kills it as well - I love Pollux in this movie. Nick Cassavetes as Dietrich is a joy, he has a line early on in the movie that floors me every time with how funny it is and how smugly he delivers it. This was a wonderful way to round out the year and a great followup to last month's Windtalkers, getting to see Woo shine.
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« Last Edit: September 11, 2025, 08:58:50 pm by Turtle »

Turtle

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Movies We've Seen Recently #801
And that rounds out one calendar year of Nicolas Cage movies. It's not every Nicolas Cage movie, not even close - that'd take us another year - and we'll certainly visit the portfolio again, but this closes the book on the project. I really enjoyed this and I've expanded my understanding of Cage as an actor, and I'm sure you all have as well, as you've watched each and every movie along with me. Let's take one last look at the year:

Great movies:
Pig (2021)
Mandy (2018)
Face/Off (1997)
Color Out of Space (2019)
Joe (2013)

Pretty Good:
Matchstick Men (2003)
Red Rock West (1993)
Knowing (2009)
The Trust (2016)
Butcher's Crossing (2022)

Wild shit (Complimentary):
Dog Eat Dog (2016)
Vampire's Kiss (1988)
Mom and Dad (2017)
Dream Scenario (2023)
Zandalee (1991)
Kiss of Death (1995)

I can't, in good conscience, tell you that these are all through-and-through good movies. They aren't. But they've got some wild shit in them and I didn't regret watching them for a moment.

Should've Been Better:
Windtalkers (2002)
The Weather Man (2005)
Next (2007)
Kill Chain (2019)
Grand Isle (2019)
Running With The Devil (2019)
Wicker Man (2006)

Alright:
Con Air (1997)
National Treasure (2004)
Gone in 60 Seconds (2000)
Captain Corelli's Mandolin (2001)
Birdy (1984)

Don't watch this shit:
The Runner (2015)
Sympathy for the Devil (2023)
Ghost Rider (2007)
Seeking Justice (2011)
Left Behind (2014)
Pay the Ghost (2015)
Primal (2019)

A level beyond "Don't watch this shit":
Outcast (2014)
The Retirement Plan (2003)
The Boy In Blue (1986)
Bangkok Dangerous (2008)
Jiu Jitsu (2020)

Romcom Block:
The Family Man (2000)
Honeymoon in Vegas (1992)
It Could Happen to You (1994)
City of Angels (1998)

Not Cage movies:
Rumble Fish (1983)
Moonstruck (1987)
Racing With the Moon (1984)
Peggy Sue Got Married (1986)
World Trader Center (2006)

Don't let the vertical placement of these movies deceive you - there's nothing wrong with some of them. Rumble Fish is a good movie, I gushed over Moonstruck. But these things barely have Cage in them, they don't belong here. World Trade Center is lucky it doesn't have more Cage or it'd be in a way worse bucket.

Racism block:
Amos & Andrew (1993)

Honeymoon in Vegas, you're on thin ice.
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xX_sp00ks_Xx

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Movies We've Seen Recently #802
I watched The Breakfast Club for the first time 3 days ago and it kinda blew me away. Never have I seen a movie more made, more written, more obviously a propaganda piece for inculcating American cultural values into its target audience of teenagers. The end where the goth girl that everyone nowadays would enter a bracket tournament of mortal combat for, just for a chance to sniff her armpits, gets the makeover that turns her into an octogenarian's wet dream from the pages of a christian book on the dangers of heavy petting absolutely slaughtered me. Nobody is funny intentionally in here, and even the unintentional comedy comes more from the score than any of the actors' hamfistedness. The entire film feels parodic, but it isn't and this very fact is so incredibly precious since I believe it allows one to see, in so many of the "pedagogically" written movies nowadays, just lamer, less crystal focused Breakfast Clubs, with more or less successful coats of paint of the required shades of grey, required as to fool the audience into thinking they're watching a nuanced, unopinionated, apolitical piece of media instead of slop of the same ilk as Leave it to Beaver.
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moooo566 (taylor's version)

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Movies We've Seen Recently #803
Wicked: For Good: It's really good for what it is, which is a stage musical with a 9 figure budget. It looks great, sounds great, everyone nails their roles (Ariana Grande is so good at being weird and awful oh my god). It looks good and sounds good and if, like me, you're a fan of that kind of bullshit I highly recommend it.

Heathers: what the fuck
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AgentCoop

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Movies We've Seen Recently #804
The Last Detail is really great if you like Jack Nicholson and being sad
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xX_sp00ks_Xx

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Movies We've Seen Recently #805
I also watched Wicked: For Good, I thought it wasn't as good as the first part. The songs were weaker and less memorable, not a lot of catchy hooks, rather too many slow-going ballads. The CG was wonderfully awful to look at, as usual, and the plot was awesome to laugh at, especially considering I finished watching the original Wizard of Oz for the first time just 5 minutes before going into the cinema. It really paid off to have done my homework. I liked the costumes quite a bit and the world design was still fun to look at, what little of it you could see, that is, through the incessant, distracting depth of field commanding your gaze around because the movie doesn't trust you to pay attention anymore on account of you statistically being a brain-rotten TikTok baby. Speaking of that, the handful of people around me ranged from 10 to 20 years old, no older, so it made sense that the movie would basically cater to its target audience by having Miss Wicked fly from one set piece to another to have k-pop drama moments with the rest of the cast. Ariana Grande was hot. Overall rating: fun.
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PaulLovesToLaugh

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Movies We've Seen Recently #806
I caught SisuL Road to Revenge with my dad yesterday. It was an action packed, violent film and he loved it. I thought it was worth the price of admission but it left me overstimulated.

It gave me vibes of Mad Max: Fury Road as done by Wes Anderson; in a good way.

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Movies We've Seen Recently #807
I liked the costumes quite a bit and the world design was still fun to look at, what little of it you could see, that is, through the incessant, distracting depth of field commanding your gaze around because the movie doesn't trust you to pay attention anymore on account of you statistically being a brain-rotten TikTok baby.
xX_sp00ks_Xx, November 29, 2025, 07:43:15 pm
I too saw wicked two. its crazy that they really built all of those sets in order to CGI ugly nonsense over them. it's not unusual for ugly movies to have spent untold thousands of american dollars on covering beautiful sets and costumes with ugly CGI but it is remarkable to me how good the sets were without CGI and how boring it looked in full 270 degree panoramic surround video
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ikaribattousai

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Movies We've Seen Recently #808
Watched His Girl Friday (1940) on Criterion 4K last night and had a blast. Everyone is going 120mph the entire time and it's always lovely to watch a movie where all the characters are huge pieces of shit that you like anyway because the actors are so charismatic the entire time.
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AgentCoop

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Movies We've Seen Recently #809
I watched Fat City last night, great movie but even better title for inflation fic